Jun 25 Tue
  1. Father John Misty & Jason Isbell and the 400 Unit

    3:00 PM - 7:59 PM EDT
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    Seating Chart

    GA PIT AREA
    GA PIT Is a standing area only located in front of the stage. Chairs are not provided. Chairs are not allowed in this area.

    GENERAL ADMISSION LAWN
    General admission Lawn seating starts behind the reserved seats and ends at the Crescent Deck in the back of the venue where the reserved table seats are located. You may bring your own chair (any height). Low Beach chairs may be rented for $5 cash at Guest services.

    RESERVED TABLE SEATS
    Reserved Table seats are covered by a roof and are located behind the lawn seats. Numbered tables are 6 seat tables (1-44), 4 seat tables are lettered (A-FF) and are higher pub tables.

    A small fee will be added to the prices when paying by credit or debit card.  Cardholder must be present with a valid photo ID when paying at the venue Box Office with a credit or debit card. Tickets for Booth Amphitheatre events are subject to applicable taxes and fees. Unless otherwise stated, posted prices include a 7.25% NC Sales & Use tax.

    Ticket Limit: 8 Per Person | Tickets on sale to the general public, Friday February 15 at 10am.
    * All dates, times, acts & prices are subject to change without notice.


    GUESTS WITH DISABILITIES
    Accessible Seating is available to purchase in all price levels/seating areas.
    • Please note the 4 seat Pub Tables are NOT wheel Chair accessible.
    • "ADA" Price code =Accessible seating.
    • Patrons needing assistance to their seats please ask our gate supervisor to call for Rex Healthcare and they will assist you when you arrive for the event.





    FATHER JOHN MISTY
    Written largely in New York between Summer 2016 and Winter 2017, Josh Tillman’s fourth Father John Misty LP, God’s Favorite Customer, reflects on the experience of being caught between the vertigo of heartbreak and the manic throes of freedom.God’s Favorite Customer reveals a bittersweetness and directness in Tillman’s songwriting, without sacrificing any of his wit or taste for the absurd. From “Mr. Tillman,” where he trains his lens on his own misadventure, to the cavernous pain of estrangement in “Please Don’t Die,” Tillman plays with perspective throughout to alternatingly hilarious and devastating effect. “We’re Only People (And There’s Not Much Anyone Can Do About That)” is a meditation on our inner lives and the limitations we experience in our attempts to give and receive love. It stands in solidarity with the title track, which examines the ironic relationship between forgiveness and sin. Together, these are songs that demand to know either real love or what comes after, and as the album progresses, that entreaty leads to discovering the latter’s true stakes. God’s Favorite Customer was produced by Tillman and recorded with Jonathan Rado, Dave Cerminara, and Trevor Spencer. The album features contributions from Haxan Cloak, Natalie Mering of Weyes Blood, longtime collaborator Jonathan Wilson, and members of Misty’s touring band.



    JASON ISBELL and the 400 UNIT
    Jason Isbell and the 400 Unit’s new album, The Nashville Sound, is a beautiful piece of American music-making, but watch yourself: it will light a fire under you. “You’re still breathing, it’s not too late,” Jason sings.

    This album is a call, and the songs on it send sparks flying into a culture that’s already running so hot the needle on the temperature gauge is bouncing erratically in the red. And while it’s understandable that, in this moment, some people want their radio to help them drift away, this finely calibrated set of ten songs is aimed right between the clear eyes of people who prefer to stay present and awake. It’s a call to those who won't cower no matter how erratically the world turns, and who aren’t afraid of what looks back when they look in the mirror. Bruce Springsteen did that. Neil Young did that. Jason Isbell does that.

    As with Isbell’s 2013 breakthrough, Southeastern, and his double-Grammy-winning follow up, 2015’s Something More Than Free, The Nashville Sound was produced by Dave Cobb. Isbell says that he and Cobb created a simple litmus test for the decisions they made in the two weeks they spent at RCA Studios (which was known as “The home of the Nashville Sound” back in the ’60’s and ’70s): they only made sonic moves that their heroes from back in the day could’ve made, but simply never did. It’s a shrewd approach—an honest way to keep the wiz-bang of modern recording technology at arms length, while also leaving the old bag of retro rock ’n’ roll tricks un-rummaged. Lyrically, The Nashville Sound is timely. Musically, it is timeless.



    ITEMS ALLOWED
    Lawn Chairs (any height)
    Rain Coats & Ponchos
    1 Bottle of factory sealed water

    PROHIBITED ITEMS
    Blankets. Towels & mats of any kind or size
    Umbrellas
    Pets
    Drones
    Weapons of any kind
    Coolers
    Food & beverages
    Tents or Staking
    Camera with detachable Lenses
    Audio/Video recorders
    Grills/Smokers/Open flames Inside or outside the venue

    CONCESSIONS
    Venue concession stands will be open serving a variety of fantastic food and beverages. Please visit the venue website to view our menus options.

    PICNIC IN THE PARK
    Let us pack your picnic! Choose the “picnic in the park” option on our website on the Food & Beverage tab to pre-order dinner and pick it up when you arrive! Orders must be place at least 24 hours prior to the date of the event.

    FOOD TRUCKS
    Food trucks are located on the Lake path. Food trucks scheduled for this event will be posted on our website 48 hours before the event.

    ALL EVENTS ARE RAIN OR SHINE: Please call our weather hotline for weather updates at 919-459-8332.